On vacation, we joined in the celebration of Mass at Immaculate Heart of Mary Parish in Northglenn, Colorado. One of the first things that I noticed was that it was easy to listen through the crying babies. This was because the sound system worked. This is obviously a parish that believes that God is present in both word and sacrament. They went to the effort to be sure that we could hear what was being read, sung and said.
This led me to some reflections and a bit of a ranting and raving. We would be outraged if a parish kept the Bread and Wine away from its parishioners or visitors. Yet we profess to believe that God is also present in the words of scripture and tolerate sound systems that, by being unintelligble, impede God's presence to these same people.
At IHM, 1) the sound system had obviously been tested and the volume set correctly; 2) the lectors read clearly and positioned the microphones properly; 3) the cantor’s articulated the lyrics; and 4) the instrumentalists supported, not overpowered, the cantors.
I was reminded of Ella Fitzgerald. When she sang nonsense syllables, she demonstrated her voice as a musical instrument. When she sang lyrics, she gave them meaning and musical quality. I realize that local church choirs are not likely to find another Ella, but why would a cantor sing the words of a psalm in a way that makes it difficult for people to understand them?
Proper technique of using microphones and speaking or singing is, by itself, inadequate. The can convey words but not meaning.
To convey meaning - to be inspiring - lectors and cantors must meditate upon each text and confront its meaning in personal terms. As a husband and father, I can remember the challenge of reading Col 3:1-21 and being recognizing that I can only claim “progress, not perfection” in standing up to the words of St. Paul.
As a principle of spiritual preparation, lectors and cantors should remember that
“We read the scripture in its fullness when it reads us and finds emptiness.”
